Recent Press
11.04.2025 | "...a sublime performance by the early music specialists of Sonnambula with the exquisite presence of bass-baritone [Davóne] Tines."
— Richard Sasanow, Broadway World​
11.04.2025 | "...a creative reconstruction...Elegantly played laments and dances... a thought-provoking hour, offering new contextual insight into period music and art that we think we know."
— Heidi Waleson, The Wall Street Journal
10.12.2019 | "Sonnambula shakes it up with early Baroque music for viols"
— David Wright, The New York Classical Review
10/11/2019 | Sonnambula Performs Works by 17th-Century Converso Leonora Duarte
— Susan Lewis, Live from WRTI
06.07.2019 | "Leonora Duarte par l'Ensemble Sonnambula"
— Salomé Coq, ComposHer
02.25.2019 | "The absence of historical celebrities hardly hurt attendance... It’s tempting to describe [Leonora Duarte's] Sinfonias as jewel-like in construction. You could also compare them to Vermeer’s paintings, small in scale and infinite in depth... For a remarkable hour on a cold February night, their world came alive again."
— Alex Ross, The New Yorker
09.17.2017 | "The 'Marche pour la Cérémonie Turque' was the most delicately phrased – I’m tempted to say the most musical – rendition I’ve heard."
​— Jon Sobel, ​Blogcritics
04.09.2015 | "a superb NYC-based viol consort that might well have been featured in Carnegie's [Before Bach] lineup..." 
— Alex Ross,The Rest is Noise
04.13.2015 | "Elizabeth Weinfield's spirited defense of her instrument..."
​— Alex Ross, "The Quiet Man," The New Yorker
04.09.2015 | "fine home-town group..."
— The New Yorker
05.21.2012 | "the group produced a warm, full sound..." From "Sonnambulation in the West Village"
​— Alex Ross, The Rest is Noise
"Rockin' the Viol": Amy Domingues
— Bret McCabe, Johns Hopkins Magazine
"Five Minutes with Elizabeth Weinfield"
— Greg Cahill, STRINGS Magazine
"Early Music, Autumn and Winter, in New York City"
— Michael Miller, New York Arts